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It is the first day at a new school for teenaged Mia Luna Wedler. At lunch break, a girl shyly tries to make friends. But the pouty, pretty Mia, who is just days away from her first period and is perhaps taking this new start as an opportunity to better her social standing, has her eyes on a different clique. Wild-child Gianna ZoĂ« Pastelle Holthuizen, all silky waist-length hair and bare midriff, is the sexually precocious center of a trio of girls orbited by an undifferentiated constellation of good-looking but oafish boys that will soon become a quartet with Mia’s inclusion. The setup for actor-turned-writer/director Lisa BrĂŒhlmann’s debut feature is beautifully drawn and remarkably well-performed especially by Wedler and Holthuizen, but it’s hardly anything we haven’t seen in a hundred coming-of-age tales before. But then suddenly there’s Mia standing over her living room tank of tropical fish, scooping them alive and wriggling into her mouth, chewing and swallowing, her eyes glassy and manic. At first, the incipient symptoms of Mia’s — how to put it — disorder, are cleverly paralleled with those of the more humdrum psychological issues that can plague teenage girls on the cusp of maturity. She gulps down a glass of salt water a trick bulimia sufferers use to induce vomiting; she lashes out at her mother Regula Grauwiller with a physical force that she doesn’t seem to know she has; she develops a sudden awareness of a physical abnormality that her doctor insists she must have had since birth, and cuts away at herself in a way that explicitly evokes self-harm. And all of this exists amid a haze of MDMA, benzedrine, pot, and alcohol that becomes headily entwined with parental rebellion, sexual competitiveness, and perhaps, it is hinted, physical attraction between the girls, as they party and shoplift and dare each other on to ever more dangerous behavior. Up to a point, the central analogy works rather brilliantly. The menacing yet dreamlike tone grounds the film’s dark-fairytale transformation, flattered by DP Gabriel Lobos’ elegant, sinuous camerawork and blue-gray aqueous palette that somehow retains an element of underwater grace even when lit in the druggy hot-pink tones of a late-night party turned shockingly predatory; the low-key electro-burble of Thomas Kuratli’s sparingly used score; and Patrick Storck and Gina Keller’s pristine sound design, which features the dripping and rushing of water as an ever-present mnemonic. As the conductor of this particular symphony, BrĂŒhlmann shows a thematic control unusual for a neophyte, making the film’s gradual descent into all-out body horror immersively discomfiting. As Mia’s condition worsens, and she struggles to conceal it from Gianna and the others, “Blue My Mind” even recalls Julia Ducournau’s recent femme-centric horror touchpoint “Raw,” only without that film’s macabre sense of humor. Instead, this is a sincere yet nightmarish bedtime story that may have trace DNA from a famous Hans Christian Andersen folktale, but in its admirable commitment to the grotesque feels more like a modern-day Brothers Grimm fable. But at some point the allegory slithers out of BrĂŒhlmann’s grasp, and grows too large for its tank. Rather like its misleadingly punny title, “Blue My Mind” wants to work on multiple levels, but falters to become a slightly unconvincing, if well-made, single-entendre. Mia’s problems become less relatable as they become more real, her fears of her own “freakishness” become paradoxically less interesting the more they’re revealed to be based in physical fact. And so the story’s allegorical power is lessened as it plays out alongside the very things — like sexual confusion and body dysmorphia — that it’s supposed to be an allegory for. Our heroine is contending with all the usual pressures of girlhood and has the bruised legs, syndactyly, and shedding skin of her pesky metaphor to deal with, too. The demons of adolescence that so much of the imagery evokes are powerful and dangerous because they are imaginary. Anorexia, negative body image, self-harm, and the joyless promiscuity and sexual degradation that Mia pursues are the kinds of heartbreaking punishments that young girls inflict on their bodies for differing, in ways that often only they perceive, from some notional ideal of womanly perfection. Everybody feels like a freak at this age and it doesn’t seem an especially helpful conclusion to have the story confirm that freakishness, and to suggest that the solution for Mia is self-imposed exile from the people who, however distractedly, love her. Having created a striking and potent allegory in “Blue My Mind,” and explored it with grace, seriousness, and exceptional craft, BrĂŒhlmann doesn’t seem to know quite what to do with it by the end, except to suggest that the cost of self-acceptance is vast, eternal, oceanic loneliness.
BlueMy Mind. Blue My Mind Regular price From $4.00 USD Regular price Sale price From $4.00 USD Unit price / per . Blueberry Cream Blueberry Cream Indonesia (USD $) Ireland (USD $) Isle of Man (USD $) Italy (USD $) Jamaica (USD $) Japan (USD $) Jersey (USD $) Kosovo (USD $) Latvia (USD $) Liechtenstein (USD $)
Film DTV direct-to-video de Lisa BrĂŒhlmann 1 h 37 min 24 aoĂ»t 2018 FranceGenre FantastiquePays d'origine SuisseFiche techniqueMia, 15 ans, vient de dĂ©barquer dans une nouvelle Ă©cole de la banlieue zurichoise. Comme toutes les filles de son Ăąge, son corps change. Convaincue que ses parents lui cachent sa vraie nature, elle tente de noyer son mal-ĂȘtre dans les drogues et le sexe, mais rien n’arrĂȘte son inquiĂ©tante mĂ©tamorphose. Avis revue et corrigĂ© en critique de ma part ça faisait longtemps !il y a 3 ans9Critique positive la plus apprĂ©ciĂ©eÊtre une sirĂšne ou ne pas ĂȘtreNon ! Vous ne rĂȘvez pas ! C'est bien Cosmic M qui reprend du service en tant que critique ! Mais qu'est-ce qui s'est passĂ© depuis ? Presque un an sans rien Ă©crire voir un an...vu que mes 2 derniĂšres...RecommandĂ©esPositivesNĂ©gativesRĂ©centes

Its too bad that Blue My Mind feels like the first draft of its freaky concept and proves ultimately unsatisfying. Mia (Luna Wedler) is 15 years old, the new girl at a new school, and anxious to

Your Gateway to the Trends and Tropes of the Horror Genre Eric’s Review Blue My Mind 2017 ★★★1/2 out of ★★★★★ Directed by Lisa BrĂŒhlmann Two great tastes that go great together Teen coming-of-age movies and body horror. Blue my Mind explores a Swiss girl’s trying to fit into a new school while slowly metamorphosing into something beastly. It’s a natural combination. The fear of monstrous body changes both normal and highly abnormal. Mia Luna Wedler, Streaker doesn’t know it yet, but she’s a mermaid, and as her subtle behavioral and physical changes, her self consciousness gets the better of her and she keeps these things a secret. For all the women out there who ever wished they had the Ariel experience in reverse, well this might dissuade some of those thoughts. Mia is also going through a rough patch with her parents, bristling at their simple questions, and she is desperately wanting to be part of the cool kids’ clique at her school. And as is true with many girls coming of age films, these young women are capricious, cruel, and undeniably pretty and petty. A similarly themed movie that I recently watched, Mon Mon Mon Monsters!, had similar themes of the outcast trying to become one of the cool kids. Unlike that Taiwanese film, however, Mia manages to win over the bad girls of her school. The naughtiness of risk-taking and boundary-pushing comes naturally to Mia, and she quickly wins over the alpha female of the pack of mischief-makers, Gianna ZoĂ« Pastelle Holthuizen, who is brazen, beautiful, and controls the social dynamic of their school. Soon, Mia and Gianna are bonded, trusting each other as they engage in drugs, sex, and well
 more drugs and sex. Eventually, though, Mia’s metamorphosis becomes something difficult to hide. She confides in a doctor, but that becomes a dead-end, and she confronts her mother believing her mom and dad are not really her parents, and there are suggestions through the storytelling that seem to lend credence to her suspicions. She resists her early forms of transformation, such as cutting out the emerging webbing between her toes OUCH! and hiding her legs that are beginning to bruise, molt, and generally look like a horrific massive rash. Thematically, the film reminds me a bit of Ginger Snaps. A teenage girl finding her way through her emerging sexuality at the same time as she’s going through a bestial transformation. These films cry out with the “What’s happening to me?!?” moment that stokes the hormones and fears of adolescent girls everywhere. The movie also bears the marks of the current wave of European horror films, like Raw, Goodbye Mommy, Beast, and Let the Right One In. These are largely quiet films, dramatic studies first, that draw the horror out slowly. In fact, I would suggest that this is actually much more of a very dark fantasy tale rather than a true horror movie, as Mia is more of a risk to herself than she is to others. This film was featured at last year’s Overlook Film Festival, and though light on the violence and gore, there is plenty of “ick” factor, and it proved that it belonged in that collection of genre titles that Overlook curated. This is director Lisa BrĂŒhlmann’s first feature film, and it immediately launches her into a director to watch going forward. When a director comes out with a coming-of-age film early in their careers, you have to suspect there is a bit of an autobiographical edge to it. And, in an interview with the website MEAWW, she reveals that she took a lot of her own life experiences, and the shame and aggressive self-destructive behavior. The movie left me feeling cold, and I don’t know that I ever really enjoyed the movie, though it kept my attention. This movie has a whole lot of lonely built into it, and at the conclusion, that feeling is pervasive. Her transformation complete, you wonder what the rest of Mia’s life will be like. The scariest parts of this movie also had nothing to do with her physical change into a creature, but instead, with some of the terrible decisions Mia makes with drugs, booze, and sex. Though the movie features teenagers, be warned, this is not a movie particularly suited for impressionable young teens. There is definitely a hard edge to this film. Both Wedler and Holthuizen both exhibit great charisma and can hold a frame exquisitely. The Swiss movie industry isn’t exactly a juggernaut, so I would be curious to see if either of these actresses start seeing work in more widely distributed films from France, England, or the US. I would be curious to know what our female fans think of this movie. I suspect it is a much more compelling movie for women than men, as the themes are so very tied to female fears. Blue My Mind is Rated R, for strong sexual content, drug use, and language. It is available for streaming on Amazon. Categories ReviewsTags Blue My Mind Review, body horror, Lisa BrĂŒhlmann, Luna Wedler, Mermaid Horror, Mermaid transformation, Swiss horror movie, Teen Coming-of-age horror, ZoĂ« Pastelle Holthuizen Released, 'Blue My Mind' stars Luna Wedler, ZoĂ« Pastelle Holthuizen, Regula Grauwiller, Georg Scharegg The movie has a runtime of about 1 hr 37 min, and received a user score of 68 (out of 100
Masa remaja memang sulit, terutama bagi gadis remaja yang berjuang dengan perubahan dalam tubuh mereka dan mencoba menemukan norma baru ketika mereka berkembang menjadi wanita muda. The Drama / Fantasy Blue My Mind , sebuah kisah yang dibuat oleh seorang gadis remaja yang benar-benar unik. Tercerabut dari semua yang dia tahu dan pindah ke kota baru berkat pekerjaan ayahnya, Mia Luna Wedler adalah remaja Swiss berusia 15 tahun yang mencoba untuk mengatasi situasi itu. Cepat untuk beradaptasi, pada hari pertamanya di sekolah barunya, Mia menatap sekelompok pengacau berpakaian hitam yang dipimpin oleh Gianna ZoĂ« Pastelle Holthuizen yang bersemangat. Meminta api untuk rokoknya dan menempa persahabatan yang agak genting, Mia menjadi yang keempat dalam kelompok gadis-gadis nakal Gianna, yang juga menampilkan Nelly Lou Haltinner dan Vivi Yael Meier. Di rumah, Mia berjuang melalui perubahan yang dibawa oleh tubuhnya yang sedang berkembang dan sementara beberapa lainnya benar-benar normal, yang lain agak aneh. Hal ini dapat dimengerti menyebabkan emosi tertinggi dan terendah, dan hubungan antara Mia dan ibunya, Gabriella Regula Grauwiller adalah yang paling lemah. Untuk bagiannya, Ayah Martin Rapold mencoba untuk mencintai dan memahami, tetapi dia bingung ketika hal itu terjadi pada sikap baru pemberontak Mia. Mia mengembangkan minat dalam pornografi dan renang, mengutil, minum, berpesta, dan menjelajahi seksualitasnya. Tidak ada salahnya bahwa para gals memiliki trio anak laki-laki, Roberto David Oberholzer, Jim Benjamin Dangel, dan Alex Timon Kiefer, untuk undangan pesta dan seks, yang mereka sebut "bouncing." Ketika para wanita mulai tumbuh lebih dekat dan secara tidak sengaja menjadi lebih liar, kondisi Mia tampaknya semakin menurun dari apa yang "normal". Dengan kesehatannya tergantung pada keseimbangan dan tindakannya meningkat menuju kekacauan, dia harus membuat beberapa penemuan diri yang penting dalam kisah yang benar-benar ganjil. Baca juga sinopsis film Blue World Order. Dengan durasi 97 menit, Blue My Mind Ditulis dan Disutradarai oleh Lisa BrĂŒhlmann FlĂŒgge Short 2011 , Peripherie 2016 , dan merupakan debut nya dalam film panjang untuk sutradara wanita yang luar biasa ini. Film ini disajikan dalam bahasa Swiss-Jerman dengan teks bahasa Inggris, dan tidak ada yang hilang dalam terjemahan. Beraliran sebagai Drama Fantasi, Blue My Mind adalah benar-benar hal-hal ini sebuah film yang diatur dengan indah yang berbunyi sebagai Drama yang datang dari zaman dengan unsur-unsur fantastis. Namun, semakin sedikit Anda tahu masuk ke dalam film, semakin Anda cenderung untuk larut didalamnya. Blue My Mind berjalan dengan benar adalah dalam perhatiannya yang indah terhadap detail dan kamera selalu bekerja; Bahkan ada penekanan halus pada warna biru dan hijau, memberikan isyarat visual yang cerdas untuk memandu pemirsa. Tentu saja, semua hal ini dimungkinkan oleh keterampilan akting para pemain ensemble yang luar biasa, dengan Wedler Mia, Holthuizen Gianna, dan Grauwiller ibu Mia menahan sebagian besar pertunjukan utama. Studio Uncork'd Entertainment Sutradara Lisa Bhurlmann Penulis Lisa Bhurlmann Produser Katrin Renz, Stefan JĂ€ger Pemain Luna Wedler, Yael Meier, ZoĂ« Pastelle Holthuizen, Lou Haltinner, Georg Scharegg, David Olberholsel, Timon Keifer, Regula Grauwiller
Stars Luna Wedler, Zoë Pastelle Holthuizen, Regula Grauwiller, Georg Scharegg, Lou Haltinner, Yael Meier, David Oberholzer, Una Rusca, Timon Kiefer, Benjamin Dangel, Martin Rapold, Rachel Braunschweig | Written by Lisa Bruhlmann, Dominik Locher | Directed by Lisa Bruhlmann There has been more talk than ever about women in the film
TRAILER 142 Play all videos What to know A coming-of-age drama with unexpected twists, Blue My Mind transcends some clunky moments with fully realized characters brought to life by strong performances. Read critic reviews Kundo Age of the Rampant Hara-Kiri Death of a Samurai Iceberg Slim Portrait of a Pimp Rent/buy Rent/buy Rent/buy Blue My Mind videos Blue My Mind Trailer 1 TRAILER 142 Blue My Mind Photos Movie Info Mia, 15, is facing an overwhelming transformation. Her body is changing radically, and despite desperate attempts to halt the process, she is soon forced to accept that nature is far more powerful than her. Genre Drama, Fantasy Original Language German Director Lisa BrĂƒÂŒhlmann Producer Stefan JÀger, Katrin Renz Writer Lisa BrĂƒÂŒhlmann Release Date Theaters Nov 13, 2018 limited Release Date Streaming Nov 13, 2018 Runtime 1h 37m Distributor Uncork'd Entertainment Production Co tellfilm Aspect Ratio Scope Cast & Crew Critic Reviews for Blue My Mind Audience Reviews for Blue My Mind Nov 18, 2018 I cannot overstate how much I simply hate this movie's title, Blue My Mind. It bothers me so much. I have an antipathy toward puns as humor in general, but to name your movie a pun is a startlingly bad decision. Who let this happen? Who let a horror movie, without any sense of humor, have a pun-laden title? Whoever did this should be fired, and if it's writer/director Lisa Bruhlmann, then she should have her final grade revoked the finished film served as her thesis work for her film school. Blue My Mind is another in the burgeoning sub-genre of pubescent transformative features. The Canadians struck rich gory glory with the Ginger Snaps series where young women turned into werewolves. This Swiss movie replaces the werewolf story with a mermaid, which brings to mind an unsettling re-creation of Splash as bizarre body horror. It's too bad that Blue My Mind feels like the first draft of its freaky concept and proves ultimately unsatisfying. Mia Luna Wedler is 15 years old, the new girl at a new school, and anxious to fit in with the cool kids, chiefly the mean queen Gianna Zoe Pastelle Holthuizen. Mia is also undergoing some very radical changes. She's craving salt water, eating the fish out of her parent's fish tank, and noticing that her toes are starting to merge together with webbing. She's confused and angry and desperate to hide her secret from her friends and family. In a movie built upon the concept of girl-turns-into-mermaid, you would think there would be a lot of creepy and fascinating body horror episodes. It would be the primary conflict and primary secret. For far too long with Blue My Mind, the mermaid transformation is kept as an afterthought to a docu-drama approach to rebellious adolescence more akin to a Thirteen than David Cronenberg. Horror has long been parlayed as a metaphor for the strange and confusing time of puberty, having one's body morph and change against your will, feeling like an outsider, a freak. The coming-of-age model also works as a vehicle for some unconventional urges, as demonstrated as recently as last year in the visceral French horror film Raw, about a young woman finding her sense of self awaken with cannibalistic desires. Both Raw and Blue My Mind the title still makes me hurt on the inside function as sexual awakenings linked to monstrous appetites, both literal and figurative, that the women don't know how to control or if they should even attempt to. The genre dabbing is what separates both movies from their ilk. This is what makes Blue My Mind all the more frustrating because the mermaid aspects are poorly integrated until the final 20 minutes, and even then it's sadly too late. It's like the filmmakers decided that their one unique element wasn't so special after all. The majority of this movie is Mia acting out to try and fit in with her new pals. They smoke, they skip school, they shoplift; they're your classic bad influences that a typical bourgeois family would disapprove. Mia's parents don't understand why she's acting out and what has happened to their little girl. There's some tension over whether Mia is their biological child considering what she's undergoing. This curiosity pushes Mia to investigate her family's history but it too is left incomplete, another dangling interesting idea unattended. A solid hour of this movie is simply Mia sneaking behind her parents back, experimenting with her new friends, and testing her boundaries. It's effective, though there are moments that hint at something more that's never developed, like her sexual predilections that take on an extreme variety. There's a scene where the girls trade choking each other out for an oxygen-deprived euphoric high. If I was being generous, I'd say it was connected to Mia learning to enjoy not breathing through her lungs and setting up a transformation for gills. But I'm not that generous. It comes across as a dangerous kink that tempts Mia but then is forgotten. Much of this hour hinges on the audience caring about the relationship forming between Mia and Gianna, and I couldn't because I think the film was too indecisive on what Gianna represented. She's not a terribly complex character but what does she mean to Mia? Is she a genuine friend, a figure of sexual desire, a cautionary tale, a rival? Blue My Mind seems to emphasize a sexual awakening for Mia and attaches Gianna as the recipient of those confused feelings. If these two were meant to serve as the key for audience empathy, we needed more scenes with them developing as characters rather than repeating rote rebellious teen hijinks. When Bruhlmann does focus on the mermaid transformation, the film is inherently fascinating and consequently aggravating, as you imagine what a better version of this premise could have afforded. There is some wonderful makeup prosthetics to reveal Mia's skin peeling from her legs, leaving behind shiny black gamines that reminded me of Under the Skin. When the boys catch a glimpse of her hidden physical afflictions, they assume she has some STD and slut shame her. She takes scissors and personally slices the membranes fusing her toes together, and I had to cover my eyes it was so squirm inducing. The final transformation is a bit underwhelming until you remember that this was a student film that managed to get an international release. The technical specs are very professional, especially the sun-dappled cinematography by Gabriel Lobos. Bruhlmann captures the internal feelings of her characters very well in a visual medium, relying upon Wedler to do a lot of heavy lifting that the screenplay refuses to perform. You feel her revulsion with herself and yearning for connectivity, something universal for every teenager struggling to claim their sense of self in an indifferent world. Fortunately Wedler is an impressive young actress that might break your heart, if only her character was allowed to open up to the audience better. It's a movie that toys with ideas, moods, and purpose. Blue My Mind is a story about a young girl turning into a mermaid against her will and the movie decides that this is a secondary story element. The implementation of metaphor in horror is a common storytelling device to communicate the horrors of the everyday. Throw in the coming-of-age self-discovery angle, as well as a sexual awakening, and it's tailor-made for some strange transformations that excite and terrify the protagonist. It's just that Blue My Mind takes its metaphor a little too absentmindedly. By putting the mermaid body horror in the background rather than the driving force, the film mistakes our interest and pushes forward a group of characters not ready to handle that level of scrutiny. I feel like Blue My Mind wastes the potential of its premise and the acumen of its actors. This movie could have been better and instead it settles for the familiar even amidst the weird and fantastic. Blue My Mind isn't as bad as its painful title but it certainly won't blue you away. Nate's Grade C+
Dramamu- Blue My Mind (2017) Banyak film sub indo yang bisa muncul di bioskop terkenal dan masuk ke dalam film box office dan menjadi film yang bisa menyedot animo masyarakat untuk menonton film ini, sehingga bisa membuat film ini menjadi film terlaris dan bisa membuat Anda selalu ingin menonton film ini secara terus menerus. Memang film yang bagus adalah film yang memiliki banyak sekali

If you think you’ve seen everything the coming-of-age narrative style has to offer, you haven’t seen director Lisa Bruhlmann’s fantastical, surreal debut film, Blue My Mind, which premiered at IFC’s What the Fest!? tonight. The story follows Mia Luna Wedler, a 15-year-old late-bloomer who is trying to make an impression on the cool girls at her new school. After a few fruitless attempts, Mia finally catches the attention of Gianna ZoĂ« Pastelle Holthuizen, the leader of the clique and a lawless party girl with whom Mia is completely fascinated. As she earns her way into Gianna’s good graces, Mia must also come to terms with experiencing puberty and its effects on her rapidly transforming body. With these changes come new urges, desires, and disturbing, unsavory habits. Mia is coming into her own, despite her many efforts to thwart the terrifying process. Although Blue My Mind doesn’t completely reinvent the wheel, the story can only be described as unique. A mix of Ducournau’s Raw sans cannibalism with a healthy dose of Hardwicke’s ever-controversial Thirteen, Bruhlmann manages to weave a harrowing, compelling tale of self-discovery, friendship, and trying desperately to appear average despite glaring, bizarre differences. Relatedly, Mia experiences several rites-of-passage we’ve seen in countless films before, yet Blue My Mind feels as unpredictable as if this were the first story of its kind. While Blue My Mind is a drama at its core, the film introduces enough body horror elements to keep genre fans satisfied. Beyond that, the terror is not found in the film’s imagery. Instead, it stems from the anxiety the audience shares with Mia as she discovers her body may be taking on unexpected qualities, as well as finding herself in increasingly dangerous situations. We are taken on a gripping ride of teenage alcoholism, drug abuse, risky sex, and excessive partying, and through it all we grow to care for Mia more than she cares for herself. Not to be overlooked is Luna Wedler as the extraordinary Mia. Wedler succeeds in maintaining a key balance between vulnerability and fearlessness. There are moments when we can see the scared girl behind Mia’s cool facade, and moments, too, where we see the headstrong child beneath the mature exterior. Mia is just trying to live life on her own terms, in spite of nature’s plans for her, and Wedler gets this point across admirably. This role could have been laughable and over-the-top if left to the devices of a less savvy actress, but Wedler takes on Mia’s challenges with no signs of reservations, delivering on all counts. Not only is she believable, but she is engaging and mysterious, keeping viewers tucked snugly in her pocket throughout the film. Rich cinematography although a bit too on-the-nose with the use of the color blue comes together with excellent special effects and makeup to bring us this inspired piece of filmmaking. Visually, Blue My Mind is equal parts beautiful and wonderfully repulsive. Even in scenes where not much is happening, such as a moment when the two girls are passed out on a train platform, the shots are composed with style, care, and attention to detail. The eyes of those who see this film will, undoubtedly, be wandering around the screen, taking in the artistry of each frame. Blue My Mind is a prime example of a film which transcends genre and succeeds no matter which avenue it explores. Mia’s story is strange, fascinating, and, at times, brutal. Those open to an outlandish twist on a body horror-lite film will be captivated by this stunning debut. The film is premiering at IFC’s What The Fest!? on March 31, 2018 Warning Trailer contains a major plot spoiler.

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